Where the rhythmic patterns of Yoruba meet instrumental funk, with lyrics shot through with the rhetoric of the Black Panthers and theories of Pan–‐Africanism, this revolutionary new style saw Kuti hailed as the “Black President” of Afrobeat. His position was upheld by the supple yet precise rhythms of Allen’s human metronome for over fifteen years before their paths diverged.
Allen went on to pursue his solo career, forging a path between his loyalty to the original Afrobeat and his newfound freedom to explore a multiplicity of musical directions from dub, to space jazz, to international pop. Since his first encounter with Damon Albarn in 2006, Tony has been a member of the groups The Good, The Bad and The Queen and Rocket Juice & the Moon, projects both led by the Blur singer. Sought out by an ever–‐ increasing number of artists, he recently worked with Charlotte Gainsbourg and Sébastien Tellier, as well as Joe Lovano.